Rumours surfaced that Alan Wilder was to start work on a new album pretty soon. Ī special download-only remix of subHuman track "Killing Ground" by The Slips was released on 1 October 2007 on The Slips' MySpace page.
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The packet didn't hold exclusives but did come in a DRM free high quality download version. It was the first time that all Recoil material was available via iTunes. iTunes also prepared a special Recoil pack (similar to the Depeche Mode iTunes pack) holding all Recoil releases.
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In addition, 2007 saw the re-release of Bloodline (originally released in 1991) and Hydrology plus 1 + 2 (originally released in 1988). "Prey" was released on 27 June 2009 via iTunes and related download portals. A sample from the song was also put on Recoil's MySpace page. The latter also delivered the vocals for a track titled "Prey" which was the only single taken from subHuman. Included as guest vocalists this time were Carla Trevaskis and Joe Richardson. On 22 April 2007, Wilder released a statement on his MySpace page that the new album would be entitled subHuman and had been provisionally set for release on 9 July 2007. On 20 October 2006, Wilder appeared on a web greeting confirming a Summer 2007 target date for the next Recoil album. The back cover of Bloodline features "5 + 6" in pink and grey type.Īlthough there had been no releases for some time, in 2005 Alan Wilder confirmed that he would start work on a new album. Similarly, the cover of the Hydrology LP features a large "3" and "4" in transparent varnish. The cover of 1 + 2 features "1+2" in transparent varnish, covering the front and back of the LP sleeve. The fifth album, Liquid was released in 2000.
1997's Unsound Methods was the first release after Wilder's decision to leave Depeche Mode. McCarthy would later reappear for two songs on the next album, Unsound Methods, including the single "Stalker". Recoil's first single was from his third album Bloodline, a cover of the Sensational Alex Harvey Band's "Faith Healer", with Douglas McCarthy from Nitzer Ebb on vocals. Unfortunately, due to Wilder's busy touring schedule, he was unable to effectively promote the record. This followed in a similar vein to the previous Recoil record, consisting of entirely instrumental, synthesized landscapes. In January 1988, during the middle of Depeche Mode's hugely successful "Tour for the Masses", Mute released the second Recoil album - Hydrology. It eventually came out in mid-1986, not long after the release of Depeche Mode's well-received Black Celebration. Due to the primitive and decidedly uncommercial nature of these pieces, Wilder and the record label decided to release the album inconspicuously, naming it 1 + 2. These recordings were substantially different from anything Depeche Mode had released - whilst they were still created using synthesizers and sampling, they featured little of Depeche Mode's catchy pop songwriting, instead opting for an experimental, John Cage-esque style. Recoil began in 1986, when Daniel Miller (record producer and founder of Mute Records) heard some of Alan Wilder's demo recordings, which he had made on a 4-track cassette machine.
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